Salzburg

On awards (5) Salzburg central Station
A graphical description of the station by the architects

A graphical description of the station by the architects

Salzburg central station, which I visited this summer, is undergoing a refurbishment according to a project by Kadawittfeldarchitektur, a german architecture practice that won the 2009 competition. The project has been awarded in the 45th edition of Austria’s Staatpreis Design in the architectural and urban project cathegory (given by the Federal Ministry for Economy, Family and Youth to ÖBB, the national railways, as the project developer), and the 2012 European Steel Award.

The station was configured as a dead-end (outbound trains moved on reverse) until 2010, when continuous tracks were installed that, along with 4 new platforms, delivered a capacity improvement.

View from the end of the platform

View from the end of the platform

A detail: the historical glass and steel vault on the foreground, and the extension

A detail: the historical glass and steel vault on the foreground, and the extension

The use of steel with Y-shaped posts and large spans is not necessarily the most economical solution, but the results are interesting; it is always hard to find the right price for something that you will see every day, and can subsequently become boring. Under the platforms there is a long corridor connection both sides of the station; it is well lit, mainly due to the fact that the stair shafts are not limited to the stair itself, but run from one to another encompassing the whole corridor. It is not on my snaps, but I remember some kind of smart approach to the details to integrate in the corridor design the differences in level between both ends.

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From the Alps to Atlantic (1) Salzburg
Kapuzinsberg as seen from the Modern Art Museum, in Mönschberg

Kapuzinsberg as seen from the Modern Art Museum, in Mönschberg

To many people (above a certain age…) the image of Salzburg can be that of “The sound of music”. Incidentally, Germans and Austrians seem not to have liked the film due to the many inconsistencies it displays, both in geography and in terms of relation with the real story of the Trap family; it seems their canonical story was the one of a previous German movie. It is also a place marked (just ask tourists) by Mozart and the music festival.

Elevations in the central area, according to ASTER data

Elevations in the central area, according to ASTER data

In physical terms, Salzburg is a city in the valley of the Salzach, marked by the presence of two large hills: Kapuzinberg to the east, rising some 230 m over the river, and Mönschberg to the west, with lesser heights but a clear plateau. The German border is just across the airport, and according to the elevation map, here it seems the Austrians got the mountains and the Germans the plains. Quite fast you get over 1.000 m, mainly to the south, with impressive views of the summits.

UNESCO core area limits

UNESCO core area limits

The historical core of Salzburg is inscribed in the UNESCO World Heritage List since 1996. The core area encompasses 236 hectares, in which the two hills are almost half the surface, and the buffer zone measures 467 hectares. The site declaration recognizes the role of the city as a meeting point for northern and southern Europe; the city is considered a relevant example of an European ecclesiastical city-state, preserving well its townscape and architecture, and a relevant arts city, especially when it comes to music, with Mozart as an example.

Medieval walls in Mönschberg

Medieval walls in Mönschberg

The west as seen from Mönschberg

The west as seen from Mönschberg

The 1997 Flächenwidmungsplan (Municipal Plan) clearly protects the two main hills, surrounded by urban land (red). The city, which was initiated between both hills, has today filled most of the level areas. The geometric proportion of hills, river and urban tissue, despite the built density, deliver a balanced result in the urban core.

The urban development plan

The urban development plan

Salzburg could have chosen to maintain its landscape only in the space between hills (most of the tourists never get out of that area), but overall there seems not to exist any major nuisance in the rest of the city. And the Alps are always there on the background, a much more important feature than the debate on whether the film is really authentic…

The Alps as seen looking south from Mönschberg

The Alps as seen looking south from Mönschberg